Lyrics of nusrat fateh ali khan qawwalis
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The lyrics of the songs often are taken from Sufi poetry, such as those by Persian poet Djelalleddin Rumi. Ali Khan’s party employs two harmoniums, several singers and a tabla drum, like those used in Ravi Shankar’s sitar-led music.
#LYRICS OF NUSRAT FATEH ALI KHAN QAWWALIS PORTABLE#
Qawwali music (“Qawwali” means “utterance”) originally was performed on stringed Indian instruments, but now uses harmoniums (a portable hand-pumped organ) introduced to India in the 17th Century. All this comes from the teachings of the great saints like (12th-Century Sufi Mueenuddin) Chishti, who were giving out the message of Allah,” Ali Khan said. It is a message of love between human beings and Allah. The message is about humanism, about how human beings should treat other human beings, how we should live. “This message is not only for Muslims, but for the whole world, whatever religion you have. Then they start to understand that this music is Sufism music, with a message in there. Once they get involved that way they want to experience what is in the lyrics. Before listeners can understand it, they have to like the music first, to be captured by the tempo. “Our music is not just for the sake of listening, but there’s a message in there that is through Sufism. Language didn’t seem to be a barrier, for, like the great gospel-raised American soul singers, Ali Khan employs unfettered, emotional vocals that illuminate his words more than a dictionary ever could.Īli Khan, reached by phone in Seattle on Tuesday, explained through interpreters Jeff and Nina Jaffer of Irvine that his music needs no interpreter. Ali Khan’s local performances in June were sold-out affairs that drew both Indo-Pakistani-Americans and other fans of the music. The singer-who is in the midst of teaching a course in Qawwali and Indian classical music in Seattle at the University of Washington-returns to Orange County on Sunday for a performance at Buena Park’s Sequoia Athletic Club.
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He currently records for Gabriel’s Real World label.
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Championed by Peter Gabriel, Ali Khan and his Party (his group of singers and musicians, including several relatives) were a sensation in the ‘80s at England’s WOMAD Festival. Though he sings in the Urdu language in a millennium-old traditional style, Ali Khan’s voice has found an international audience. Indeed, the tradition of dervish dancing has the same Sufi Muslim roots as Ali Khan’s Qawwali music, and both stem from the Sufi mystic’s goal of becoming so enraptured in a performance that one experiences a direct contact with his God. But though he may be rooted to the spot physically, the Pakistani singer’s voice launches into incredible, propulsive flights of melismatic abandon as he strains to embody the content of his songs, and his hands and arms often gesticulate and fly with the emotion of his singing.Īnd while Ali Khan and his similarly seated band mates perform, they often find themselves amid a tumultuous sea of motion as adherents of the music become carried away and dance and spin like dervishes. Unlike many popular singers who have wildly animated styles, Nusrat Fateh Ali Khan performs seated, as implacably planted on the stage floor as a bean-bag chair.